Sara Storer always did feel good when it rained. Still does. That’s natural: she grew up on a wheat farm in Victoria and has been close to the land in one way or another ever since. She lives on a small rural property outside of Albury in New South Wales with husband Dave and their four young sons. “I just have a thing for the rain, I love it,’’ she says. “When it’s raining I feel motivated, I have this energy. I think it’s even stronger in me than anyone else in the family.’’ Which is saying something when her three brothers are farmers.
So it’s no surprise that the rain, searching for it, longing for it, the renewal it brings, features so prominently in the songs on Storer’s sixth studio album, Silos.
Storer is one of Australia’s most-loved singer-songwriters, a multiple Golden Guitar winner whose crisp observations of the Australian landscape and its people provide the solid foundation stone for her music. She has seen all the beauty, joy and heartbreak this land can bring, living for a time in western Queensland, where she wrote her first song, and working as a schoolteacher in Katherine in the Northern Territory.
“I think I write at my best when I say it as I see it or feel it. If I sing about the rain on the roof it’s because we
live in a little old farmhouse with a tin roof. You smell the rain coming, hear it on the roof. And I have to write
that because it is the truth for me. Don’t hang around me when I’m writing a song, you will get a mention.”
Family is paramount to Storer and that is another cornerstone of Silos, whether it is I Wonder Joe, written
when her youngest song Joe was a two-month-old asleep beside her, or collaborations with her brother
Greg, who is both farmer and songwriter.
The one song on Silos that Sara didn’t have a hand in writing is Greg’s Here We Go Again, which perfectly
frames the highs and lows of life on the land. The album’s opening track, My Diamond, is a tribute to Greg
and Sara’s father with a duet vocal performance from Greg.
“My Diamond represents my songwriting in so many ways, waiting about someone who is close to me, with
contributions from all my siblings about dad. When it’s real the song already has all the colours, the
emotions, the story line. Dad taught us to love each other for who we are and to look out for each other. I
love having my big brother sing it with me. We’re such a close family and it’s a perfect way to start the
album.’’
Images of Australia burn through Silos with all the clarity of an outback sunset, from Purple Cockies, with
inspiration courtesy of John Williamson, whose latest album features a song inspired by Sara, to Amazing
Night, about a night around the campfire, or Dandelions, where Sara sings about the “weather pulling on my
heart like a puppet on a string.’’
And in closing there is It Don’t Mean Jack, one of the most extraordinary songs Sara has written in a
catalogue now bulging with Australian classics and given a stunning musical setting in collaboration with
producer Matt Fell. And yes, it’s another song about the rain.
“With Matt’s production you can hear the dry, the sadness, the storm, then after the storm, it’s like a weather
map.
“Of course I love to sing about the rain because it draws so much emotion out of me. I have a soft spot for
people who work on the land. I grew up with that, my family still do it, I see all the struggles and the triumphs.

I know how hard they work. I love writing about those people because they are such colourful characters. But
how lucky are they to get to live out in the bush?’’
Sara Storer was born to sing about real people, honest emotions, and the land she loves. She has never
said it better than she does on Silos.